“Match me the Silver Reticence– / Match me the Solid Calm–” (Emily Dickinson)
“Silence is Infinity” (Emily Dickinson)
“Most of the Torah is written in prose, but the Netziv argued that it has two characteristics of poetry. First, it is allusive rather than explicit. It leaves unsaid more than is said. Secondly, like poetry, it hints at deeper reservoirs of meaning, sometimes by the use of an unusual word or sentence construction. Descriptive prose carries its meaning on the surface. The Torah, like poetry, does not.”
“Homer uses dazzlingly detailed descriptions so that each scene is set out pictorially as if bathed in sunlight. By contrast, biblical narrative is spare and understated. In the example Auerbach cites – the story of the binding of Isaac – we do not know what the main characters look like, what they are feeling, what they are wearing, what landscapes they are passing through. // The decisive points of the narrative alone are emphasised, what lies between is non-existent; time and place are undefined and call for interpretation; thoughts and feelings remain unexpressed, only suggested by the silence and the fragmentary speeches; the whole, permeated with the most unrelieved suspense and directed towards a single goal, remains mysterious and “fraught with background.'”
“Judaism is a religion of words, and yet whenever the language of Judaism aspires to the spiritual it breaks into song, as if the words themselves sought escape from the gravitational pull of finite meanings. There is something about melody that intimates a reality beyond our grasp, what William Wordsworth called the sense sublime/Of something far more deeply interfused/Whose dwelling is the light of setting suns/And the round ocean and the living air.”